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ISBN: 0813921767Издательство: University Press of Virginia
Год издания: 2003
Book DescriptionWhat role did Chinese art play in the poetic development of Ezra Pound, Marianne Moore, and Wallace Stevens? How could they share Chinese artists? Dao, an aesthetic held to be beyond verbal representation? In this sequel to his critically acclaimed study Orientalism and Modernism, Zhaoming Qian investigates the ways in which these three modernist poets received Chinese artistic notions and assimilated them into their literary masterpieces. With forty rare and previously unpublished photographs presented with accompanying analysis, this study reconstructs the three poets? dialogue with the Chinese masters. In addition to examining Canto 49, "Nine Nectarines," and "Six Significant Landscapes," by Pound, Moore, and Stevens, respectively, Qian provides indispensable historical and cultural material never before recorded in a single work. The Modernist Response to Chinese Art pays long-overdue attention to the role of several early collections of Chinese art...